Monday 16 May 2011

So these last three Lady Gaga tracks...

 
To say Project: Born This Way has gathered steam ahead of the album's release on May 23rd is a huge understatement. Before the album has even been released, we've already heard four songs from Lady Gaga's third album in two and a half years. So moving past our thoughts on the title track, how do we rate Born This Way so far?

Judas


Ladies and gentlemen, it doesn't really get much better than this (apart from Bad Romance, obv). If ever there was a track to answer back to concerns about the album's lead single sounding a little too similar to the output of the previous generation's iconic pop star par excellance, this is it. Gaga delivers one of her most compelling vocals on the verses, before piling into a chorus which, to our mind, creates an amazing triptych with Bad Romance and Poker Face.

It's the video, however, that's the most gratifying part of the Judas campaign. Compared to the ludicrous bombast of the Born This Way video (a song which cried out for a down-to-earth feel-good disco style video) Judas actually sees Gaga having some bloody fun again in a video. At first we were surprised there wasn't a whole lot more sacrilege on offer (lest we forget, Alejandro had Gaga dressed as a nun being set upon by a gaggle of semi-naked men). But then, we were just relieved that the temptation to drape the whole thing in 50 minutes of religious symbolism didn't take over, and the drive to deliver a fun promo video that complimented a great, interesting track won the day.



To move from the frenetic energy of Born This Way and Judas to the comparatively sedate The Edge of Glory was, in our opinion, an absolute masterstroke. A touching dance-oriented track with a soft rock vocal immediately, Edge of Glory is the perfect reminder that when she chooses to, Gaga can strip away the aesthetics and deliver a reflective and poignant pop song which resonates just as deeply as her more attention-grabbing up-tempo repertoire. To put it another way "It isn't hell if everybody knows my name tonight" is probably one of our favourite Gaga lyrics to date.

Initially, we were a little concerned that the track put us immediately in mind of Cher's Song For The Lonely. But then we stopped and thought "you know what, we can't think of a more fitting thing for Gaga to do on her third album than to reference the members of the pop aristocracy who have paved the way for her. Well done everyone." 


And this is the point we have to get a bit cynical *puts on critical face*. In one sense, we can completely see how Hair kind of wraps up some of the themes (both lyrically and musically) being expressed on the three tracks that have preceded it. And believe us, no-one appreciates an artistically contigious set of single releases as much as we do. The only problem is, Hair doesn't quite work as well as the other three tracks does it? There's something about the understated backing track, and the somewhat crammed-in-there vocals which screams "album track". 

In itself, that's no bad thing. Let's face it, no-one is expecting Born This Way to yield 14 singles, do they (although how fucking amazing would that be)? It just wouldn't be the final taste we left in "the market's" mouth before we chucked the album out there. But we suppose there's a reason why we're not heading up the marketing team at Interscope Records (although how fucking amazing would that be?)

The Verdict

It's probably safe to say that Gaga can expect her bank balance to rise by £10 at the very least on May 23rd. Have one on us, why don't you?

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