14 years ago
Showing posts with label Cheryl Cole. Show all posts
Showing posts with label Cheryl Cole. Show all posts
Sunday, 12 September 2010
Nadine Coyle finally gets on with it
If, five years ago, you had said that the members of Girls Aloud were all to take a break to pursue individual projects, you probably would have fallen off your chair if anyone had suggested that Cheryl Cole's solo debut would have been more hotly anticipated than Nadine Coyle's. I mean, let's look at the facts here: Nadine is, and always has been, the powerhouse vocalist of the group. Cheryl, on the other hand, has been known to produce vocals like this:
But, as we roll ever onwards towards the end of 2010, Cheryl's Three Words campaign has solidified her as a bona fide headliner, whereas Nadine's solo album and first single appears to have had a journey analogous to the exodus in order to see the light of day. Now, however, the first single from the album has finally been unveiled and the (probably extremely tedious) Cheryl vs Nadine chart war can finally get underway. This, ladies and gentlemen, is Insatiable
I think it's firstly extremely important to note that Nadine has wisely chosen not to stray too far from her pop roots. As MuuMuse has judiciously pointed out, Nadine hasn't got an urban bone in her body, and so it's very wise for her to be producing something wholly and unashamedly "pop" for this first single.
For some reason the first few seconds of the song reminds me of Echo by Girls Can't Catch. Anyway, that's probably not important.
No, the key thing here is that Nadine has made sure that the production has gone completely balls-out on making this sound like heavyweight stuff. The big and brassy backing track with the relentless production trickery could, in the hands of less-experienced vocalists, completely overshadow the song. Thankfully, Nadine produces a competent vocal which means that never comes to pass, and the focus is fittingly upon Nadine, the solo artist, and not on Nadine, the person who selects an overly aggressive backing track and can't keep up. In its own right, Insatiable is a great solo debut for Nadine. It's sufficiently distinct from her Girls Aloud oeuvre to avoid the "playing it safe" criticism, whilst, equally, she hasn't felt the need to reinvent the wheel and be seen as anything other than an amazing pop singer.
However, as sad as it is, comparisons are inevitably going to be drawn with Cheryl's solo debut (and, indeed, her forthcoming single Promise This). And this is where the Nadine solo campaign may well run into problems. Yes, Insatiable is a very good start. It's by no means a modern pop masterpiece, but it's a very competent effort and sets out the album's stall quite nicely. The problem is, it just doesn't have the vitality or (and please shoot us for saying this) the X Factor that Fight For This Love did. Insatiable, as good as it is, isn't an immediate hit. Indeed, there's little about it which screams "number 1 hit" in the way that Cheryl's debut absolutely did. We're writing all of this in full awareness that it's unfair to levy a comparison at two artists who, aside from being in the same band as one another, are actually producing completely divergent material. But, as unfair as it is, it is inevitable, and if you're going to judge the "Cheryl and Nadine solo experiment" on the basis of a comparison of Insatiable and Fight For This Love then, frankly, it's not even a competition.
It's extremely harsh. Insatiable, as we've said throughout, is a great pop song. Hopefully, it's a taster for even bigger and better singles to come from the album campaign. But one thing's for certain, it's not a song which is going to supplant the judgement that Cheryl Cole is the solo superstar of Girls Aloud.
Labels:
Cheryl Cole,
Nadine Coyle,
Reviews
Tuesday, 23 March 2010
I feel like such an insomniac
Cheryl Cole was today's special guest on the Live Lounge and, amongst talking about a few current issues pertinent to her career (not Ashley, for God's sake don't mention Ashley!) she belted out a cover of Fireflies
As part of our continued commitment to quality control we've "scoured" youtube for a video which minimises the presence of Fearne Cotton. A couple of things we feel are noteworthy with this performance.
1) This literally could not have been a better song choice. In so far as it's not vocally challenging (you may not have noticed, but Cheryl is not the world's greatest live vocalist).
2) There are points where Cheryl's vocal is actually verging upon beautiful. We're thinking principally of the first chorus and the start of the second verse where she pronounces "lightning bugs" with a definite geordie intonation, which pleases this North-Eastern reviewer, at least.
2a) The improv-ed "might get them out later" (referring to the dreams she has hitherto kept in a jar) is one of our top 10 pop moments of the year so far.
3) There are equally points when the whole thing very definitely ventures into the "pitchy" territory, as she was careful to explain, however, Nicola Roberts had taken her out and gotten her drunk earlier. Nicola should be ashamed. If we were in charge of the country, we'd put Nicola under house arrest except for when she was flogging make up or creating vocals for one of the three PROMISED Girls Aloud albums.
Above all, however, we weren't unimpressed. Cheryl is very definitely one of those artists that, if you had any sense, you'd limit to the "recorded" performance sphere unless she's lip-synching (convincingly!) and accompanied by a smalll nation's worth of backing dancers. What we'd ultimately conclude is that this performance would probably see her through to Boot Camp but she'd struggle when "the pressure is on".
Most worryingly, however, the COVER VERSION was streets ahead of her performance of HER OWN SONG!
As part of our continued commitment to quality control we've "scoured" youtube for a video which minimises the presence of Fearne Cotton. A couple of things we feel are noteworthy with this performance.
1) This literally could not have been a better song choice. In so far as it's not vocally challenging (you may not have noticed, but Cheryl is not the world's greatest live vocalist).
2) There are points where Cheryl's vocal is actually verging upon beautiful. We're thinking principally of the first chorus and the start of the second verse where she pronounces "lightning bugs" with a definite geordie intonation, which pleases this North-Eastern reviewer, at least.
2a) The improv-ed "might get them out later" (referring to the dreams she has hitherto kept in a jar) is one of our top 10 pop moments of the year so far.
3) There are equally points when the whole thing very definitely ventures into the "pitchy" territory, as she was careful to explain, however, Nicola Roberts had taken her out and gotten her drunk earlier. Nicola should be ashamed. If we were in charge of the country, we'd put Nicola under house arrest except for when she was flogging make up or creating vocals for one of the three PROMISED Girls Aloud albums.
Above all, however, we weren't unimpressed. Cheryl is very definitely one of those artists that, if you had any sense, you'd limit to the "recorded" performance sphere unless she's lip-synching (convincingly!) and accompanied by a smalll nation's worth of backing dancers. What we'd ultimately conclude is that this performance would probably see her through to Boot Camp but she'd struggle when "the pressure is on".
Most worryingly, however, the COVER VERSION was streets ahead of her performance of HER OWN SONG!
Labels:
Cheryl Cole,
Girls Aloud,
Owl City,
Reviews,
Tonight... singing live